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The 3-D Effect - Lynn Bean by Lea Rakeli
The real feathers tied to the horse’s mane are naturally molted, exotic parrot feathers. They are assembled with beads, horse hair and leather for additional accents. Shining colored beadwork is done on copper wire and all such features are ultimately pinned through the copper feathers, binding them into a homogenous unit. The copper assemblies are finally wired through the cotton artwork. No glue is used for attaching. Finished artwork is then matted with thick spacers behind the matting for a 3D shadow box effect, and to give space to the shaped copper assemblies. The final mixed media paintings have colored, translucent areas and dense painted areas which contrast with the shining, bare copper. The total effect is not easily photographed and like a sunrise should be viewed first hand. Lynn Bean’s life on a remote ranch in central Oregon’s Ochoco Mountains has been inspiration for paintings of birds, wild deer and elk, and other wild animals, as well as horses. Much of her later work is inspired by her seasonal residence in Meadview, Arizona, where she has produced Native North American and desert wildlife subjects in the grandeur of the Colorado River and Grand Canyon. Lynn Bean’s work can be viewed at galleries such as Keepers of the Wild Animal Park in Golden Valley, Arizona, Kestrel Winery in Prosser, Washington, The Gift Gallery in Tuacahn, Utah, Lynn Bean Gallery in Sumpter, Oregon, and at her online gallery at www.lynnbean.com. |
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